![]() However, most of them attempt to cover everything you might need to know about the orchestra, which means they are limited in the detail they can go into about any one instrument or topic. From old standards like Rimsky-Korsakov and Berlioz to the twentieth century texts of Piston, Kennan, or Adler, there are plenty of sources to turn to for general surveys of orchestral instruments and technique. Scientific pitch notation is used throughout.ĬONTENTS Foreword by Tim Davies Introduction: How To Use This Book The Ongoing Evolution of the Process of Orchestration Tips 1-25: Winds Tips 26-50: Brass Tips 51-63: Percussion Tips 63-70: Harp Tips 71-100: Strings Bonus Scoring Tips 101-113 20 Orchestration Questions Thanks, Acknowledgements, and Afterword Supporters Bibliography Index of TipsĪ student of orchestration today has any number of classic texts to study when it comes to learning the craft. This book conforms to American musical terms: half-steps instead of semitones, 8th notes instead of quavers. If you spot an error, check the page, and if I haven’t caught it then use the contact form to let me know. Check our online Corrections Page for updates, along with notes and clarifications. With a book of this size and amount of detail, it’s inevitable that some errors will occur. Each tip page contains a navigation bar that moves you from instrument to instrument within the section, or returns you to the section head or back to this Navigation Page. ![]() Clicking on any of the section titles to the right will jump you forward in this book to the appropriate section, which will contain its own table of contents. The tips in this book are organised in order of standard orchestral instrument groups: winds, brass, percussion, harp, strings, plus bonus scoring tips. You may simply scroll through the pages of this PDF document or you may choose to narrow in on specific topics, or browse through related topics. NAVIGATION This e-book is fully integrated to modern standards of web navigation.
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